Young Money author Kevin Roose provides a glimpse at “What the Future of Reading Looks Like.” His prediction does not bode well for the makers of e-readers, though, and it’s not because e-books are on the wane. On the contrary, it’s because “when people read e-books, they’re doing it on their existing tablets and smartphones, not on devices built expressly for reading,” he writes. (Related: this may have a positive effect when it comes to rising carbon emissions.)
Not sure why Harry Potter shares the fruits of his heroism? Upset that Hermione doesn’t end up with tons of cash? Well, then you should sit down with Ayn Rand’s version of Harry Potter and the Half-Blood Prince, helpfully published at The Toast by Mallory Ortberg.
“The presentation of himself as a damaged outsider, barely holding on, ups the dramatic ante, though it does seem at odds with the accomplished, balanced, commanding prose he appears able to muster with every sentence — not to mention his prestigious awards and teaching stints.” On Charles D’Ambrosio’s Loitering.
I’ve mentioned here before that I’m currently getting my masters in new media journalism in the Medill School of Journalism at Northwestern. As such, expect to see the occasional post on the topic from here on out. To that end, I want to mention Dan Gillmor’s book We the Media. Gillmor is well-known for his blog which is, broadly speaking, about the blogging phenomenon itself. The book takes on the question of where blogs fit into the panoply of the media. It’s worth a look for anyone who’s wondered if these here blogs are good for anything beyond killing time in their cubicles. Best of all, the entire book is available for free at the publisher’s website.That’s enough new media for now. In other news Michael Chabon’s new Sherlock Holmes tale, The Final Solution: A Story Of Detection, is out tomorrow. We’ll see what the reviews bring, but in the meantime, take a look at this excerpt.Finally, have a look at this: A Colorado man is compiling “The Great Library Card Collection.”
The recent opening of the Jeff Koons retrospective at the Whitney Museum of American Art has occasioned a number of rave reviews. They’re so good, in fact, that they’ve inspired Los Angeles Times writer Carolina A. Miranda to comb the write-ups for “evocative turn[s] of phrase, political metaphor[s], and references to lady parts” in order to assemble a standalone poem. Or, rather, it was standalone until artist William Powhida made a drawing out of it. (Full size drawing here.)