“Why write in an unlovable genre with an inevitably hectoring tone? Dystopia, situated in a dangerous no-man’s-land between the pulpit of the preacher and the safe sniper post of the satirist.” Future futurists, take note: the New York Review of Books reviews Chang-Rae Lee’s addition to your dystopic shelf, On Such a Full Sea, and ponders the virtues of the dystopic endeavor itself. (Bonus: Lee writes about his own 2013 Year in Reading here at The Millions.)
Even if you’ve already seen the outstanding documentary Wordplay, you’ll still want to check out this Atlantic article on how Will Shortz makes his New York Times crossword puzzles.
Could this be the start of a trend? HarperCollins paid the singer Billy Joel $3 million for a memoir back in 2008. Joel wrote The Book of Joel, the publisher edited it, and a June publication date was set. Last week, however, Joel abruptly backed out of the deal and apparently will return the portion of the advance he’s been paid. His reason? He told the Associated Press he “was not all that interested in talking about the past.”