Here’s a literary challenge I can really support: one blogger has decided to mix himself every drink mentioned in Thomas Pynchon’s books. You can follow along at his site, Drunk Pynchon.
Drunk Pynchon
“The Specter of the Confessional”
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.
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Going On Eleven
A new story by Hilary Mantel is always a cause for celebration. Good news: there’s one up now at the London Review of Books called “Kinsella In His Hole.” Huzzah!
The Half-Windsor
Recommended Reading: Alex Myers’s essay “Just Like…” on Hobart. “I was seventeen, and I wanted to show him – and everyone else (most of all, myself) – that I could be a man on my own terms.”
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Millions Staffer Hallberg’s Big Novel, Coming Soon
Congratulations to our longtime staff writer and contributing editor Garth Risk Hallberg, whose large first novel, City on Fire, will be published by Alfred A. Knopf.
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Seamus Heaney’s Final Verse
The Guardian has published what may be Seamus Heaney’s final poem. The poet passed away this year at the age of 74, and his work was eloquently remembered by Trent Morris on our site soon after.
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Convicts and Classics
Apparently, great books can be life changing: British prisons have begun using a literature course originally developed in the US and including Shakespeare, Dickens, and Steinbeck to help rehabilitate criminals.
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Old Jews Telling Jokes Are Back!
The hysterical website Old Jews Telling Jokes has been revived from its year-long hibernation, and two of its newest gems are worth viewing: “A Stutter” and “Three German Shepherds.” Meanwhile, the show’s Off-Broadway adaptation is scheduled to open May 20th, and its producer has a great write-up about how the show’s evolved.
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“Friedlander’s portraits do not feel celebratory”
In his review of Lee Friedlander’s collection, Playing for the Benefit of the Band: New Orleans Music Culture, Nathaniel Rich remarks on the “unsettling beauty” of the artist’s photographs.