“The short story is an odd form, forever dying out or undergoing a revival, impossible to define, sometimes seeming to be united by being nothing more than a text which happens to occupy around thirty pages or less: novels for people who can’t be arsed reading novels. Yet the best stories in both of these books show what the form is capable of: the world reflected in a puddle, the light gleaming for an instant, fireflies.” C.D. Rose reviews New American Stories, edited by Ben Marcus, for 3:AM Magazine.
Bibi Dietz interviews Jill Schoolman, founder of Archipelago Books, about “the archipelagic quality of book translation, the spiritual quality of discovering a great text, and the best bookshops from here to Buenos Aires.” So, basically everything we would ask Jill Schoolman about if we got the chance. The full interview up at BOMB Magazine.
“This is the odd space these Theory Generation novels inhabit, making them peculiar novels of ideas. Their writers have read enough Theory at a young enough age to be in continued thrall to its power; they do justice to the disorienting shock those texts once had, and perhaps still have. Yet they are old enough to ironize (tenderly or bitterly) that power.” Are you a member of the theory generation?
Is writing an inherently performative medium? Scott McClanahan thinks so. “I think my favorite writers are hams,” he said in an interview for The Rumpus. He also discussed staying at hotels with pimps during his book tour, indie presses, his book Crapalachia (which our own Nick Moran recommends), and his aversion to tote bags.