"Literary interviews became popular in the eighteen-eighties, but Richard Altick, the late professor of Victorian literature at Ohio State University, traces the public fascination with writers’ homes at least as far back as the eighteen-forties, when there was a vogue for books describing the houses and landscapes of famous authors, complete with engravings and, later, photographs.” On the strangeness of literary celebrity.
Up until 1999, Italian college students were required to write longform theses, which explains why Umberto Eco felt the need to write a guide to completing one. Eco being Eco, however, the guide went on to become a classic with many applications. At Page-Turner, Hua Hsu explains why the author’s writing manual is also a guide to life. You could also read Hillary Kelly on Eco’s Confessions of a Young Novelist.
Experience "THE POWER OF BOOKS"You know those annoying puzzles where you type in the letters so the computer knows you're not a computer creating a fake account or sending spam? A group from Carnegie Mellon is using these "Captchas" to help digitize books. ReCaptcha is a special type of Captcha that displays words that book digitization software is having trouble deciphering. So, by letting the computer know you're not a computer, you can help some other computers digitize our books.I missed Junot Diaz's appearance at the Free Library of Philadelphia where he read from his new novel The Brief Wondrous Life of Oscar Wao, but Season Evans was there.
Thomas Pynchon defined what he termed “vintage Barthelmismo” as “fictions thoughtfully concocted and comfortably beyond the reach of time.” This moving tribute to Donald Barthelme by Padgett Powell from the forthcoming anthology, A Manner of Being: Writers on Their Mentors, is right in line with Pynchon’s sentiment. Here’s another Barthelme mention from The Millions that you may be interested in.