We’ve been following the raging debate about diversity in the publishing industry, which recently re-triggered when BookExpo America released a speaker list of “29 white people and a cat” (as The Toast summed it up). The panel was rebalanced, but debate around the root issue continues: recent data indicates, for example, that while the US has become more diverse in population, the number of multicultural childrens’ books has remained flat under 10 percent for two decades. Follow the continuing debate on Twitter hashtags like #WeNeedDiverseBooks and #DiverseCanLit, or look to this helpful round-up of blogs and articles at BookRiot.
“I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour.” Catherine Lacey writes for The Paris Review‘s “Revisited” series, “in which writers look back on a work of art they first encountered long ago.” Pair with our own Bill Morris‘s consideration of artists whose works channel writers.
Boston Review’s Aura Estrada Short Story Contest is underway. This year’s submissions will be judged by What We Talk About When We Talk About Anne Frank author (as well as Year in Reading contributor) Nathan Englander, and the victor will earn a $1,500 prize as well as publication.
A while back, our own Mark O’Connell argued that Flann O’Brien, in The Poor Mouth, was the funniest writer who ever lived. Now, in an essay, Erin Somersin says the title should go to Mordecai Richler instead. She writes about the Canadian author’s unique sense of humor in a piece for the Ploughshares blog.