Recommended Listening: an interview with David Foster Wallace recorded the year Infinite Jest was published. Pair with these interviews and thoughts about what we mean when we talk about “rare” recordings.
David Foster Wallace, 1996
Company Men
The office novel, by nature, is a tricky construct, if only because your average white-collar job doesn’t offer much in the way of fiction-worthy moments. That said, recent books like Then We Came to the End by Joshua Ferris demonstrate how fruitful it can be to wring drama out of the rat race. In the latest issue of Dissent, Cubed author Nikil Saval delves into the contradictions of office fiction. FYI, Saval wrote a Year in Reading entry for us.
Brain Food
Nearing the end of your epic NaNoWriMo novel? The good folks at Electric Literature found some music to aid your concentration.
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Appearing Elsewhere
Fence has a new web site. And a new fall issue! My story “The Art of Forgetting” appears online, alongside new work by Ariana Reines, Mary Jo Bang, and Thomas Israel Hopkins.
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I Don’t Want to Be the One Onstage
“Stop / fucking posting about / Klonopin, or cutting yourself / or throwing up—Save it / for a shitty poem like a normal / wretch.” On the anger and joy of Tommy Pico, a Native-American poet in Brooklyn, over at The New Yorker.
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Basically, Salman Rushdie is the man.
“Writing’s too hard, and most of the time you feel dumb. It’s so difficult, you don’t have time to worry about being famous. That just seems like shit that happens outside.” Cheers to that, Salman Rushdie.
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