In a piece for Aeon, D. Watkins – who previously blew onto the scene with his Salon essay, “Too Poor for Pop Culture” – looks into “the two Baltimores” he has known. Tracing the city’s history back to the Civil War, he defines the city as “a place split on ideologies because it’s too south to be north and too north to be south.”
New this week: Loitering by Charles d’Ambrosio; The End of Days by Jenny Erpenbeck; Windows on the World, a collection of Paris Review essays illustrated by Matteo Pericoli (Karl Ove Knausgaard’s contribution is excerpted here); The Heart Has Its Reasons by María Dueñas; A Woman Without a Country by Eavan Boland; Love Poems by Bertolt Brecht; and Family Furnishings, a new selection of short stories by Nobel laureate Alice Munro. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
How do you pronounce the name of the titular character from Samuel Beckett’s play, Waiting for Godot? Is it GOD-oh or is it god-OH? Or is it a third variant altogether? While investigating the question for The New York Times, Dave Itzkoff has found that there may not be a correct answer, after all.
How’s this sound: an eight-mile midnight stroll through Fire Island, replete with Socratic dialogue and references to Sappho, Pythagoras, Diogenes and Hippocrates? Such is exactly what you get from Island Night, the latest project of poet Jon Cotner (previously mentioned for his We’re Floating and Poem Forest projects). As the poet explains to the NY Times, his mission with the walks was to revive “the ancient and endangered practices of walking and talking.”
Emily Witt checks out Melville House’s new Hybrid Books for The New York Observer. The publisher says they are “an innovative publishing program that gives print books the features of enhanced eBooks.”