You can get acquainted with Charles Wright, the nation’s newest Poet Laureate, by checking out interviews he did with StorySouth and The Paris Review, and also by reading his work – much of which can be found online. Might I suggest this poem, which was published by the VQR?
Anne Carson, author of Nox (reviewed by Jane Alison last year), has a new book out, Antigonick, in which the translator and poet collaborates with an artist and designer to produce an unconventional translation of Antigone. Unfortunately, Amanda Shubert calls it “the first book of Carson’s where … her scholarly impulse barricades textual meanings. Usually it provides a generous way in.” Yet despite its problems, Shubert notes there are still “moments of brilliance,” and indeed the act of “doing Sophocles as a graphic novel … is kind of ingenious.”
Over at Bloom check out this 3-part feature—a conversation and excerpts—on fiction writers-cum-memoirists Robin Black (If I Loved You I Would Tell You This, Life Drawing) and Natalie Serber (Shout Her Lovely Name)—former classmates at the Warren Wilson low-res MFA program, both later-life bloomers, and both “writing for their lives” in new memoirs.
On February 17th, the University of Iowa’s International Writing Program will launch a free digital course open to everybody with an internet connection. The course is entitled “Every Atom: Walt Whitman’s Song of Myself,” and registration is now open. The course will “take a collective approach to a close reading of America’s democratic verse epic.”
Lolita has been, for decades, a great inspiration to cover designers, and all those great covers inspired architect John Bertram to hold his own cover design contest to see who could best re-imagine Nabokov’s classic. The resulting competition has now inspired a book, coming in August, with a cover by designers Sulki & Min that references a letter Nabokov sent to his American publisher, Walter J. Minton of Putnam, in April 1959 about the cover design for Lolita. “I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. If we cannot find that kind of artistic and virile painting, let us settle for an immaculate white jacket (rough texture paper instead of the usual glossy kind), with LOLITA in bold black lettering.” More: An interview with Bertram.
The Boston Globe profiles Daniel Coquillette, co-author of the first comprehensive history of Harvard Law School. “Deeming the previous attempts lackluster, Coquillette and Bruce Kimball resolved to produce an honest, critical look at Harvard Law School’s founding — and its oftentimes bigoted history.” His book inspired students to take action to retire the school’s crest.