For everyone who harbors a deep and mildly-embarrassed love for GIFs in the significant, non-linguistic part of their brains that finds repeated facial expressions far more memorable than words: Ploughshares’ series on classic novels (1984, The Catcher in the Rye, The Scarlet Letter, The Hobbit) will have you laughing and building your cocktail-party knowledge all at once.
“In an ironic twist, Super Terrain, a publisher in France, has created a new edition of Bradbury’s classic that actually requires extreme heat in order to be read.” The prototype copy of Fahrenheit 451, which looks fully blacked-out until you apply heat, may be available to the general book-buying public in 2018. Check out: an essay about Ray Bradbury from our archives.
Point: Dan Chaon believes younger writers should read more contemporary writing before attempting to be published themselves. Counterpoint: J. Robert Lennon believes most contemporary writing is a waste of would-be writers’ precious time. TL;DR Version: Nathan Elwood notes that if writers “want to change the face of literary fiction … [they should] at least know what it looks like.”
“In the new environment, science fiction writers needed new formulas – or even better, needed to have the courage to operate without pre-cooked recipes of any sort. In short, science fiction needed to grow up and take on the adult world, in all its messiness and uncertainty.” Ted Gioia pens a paean to sci-fi writers of the 1960s. Among his recommendations (including a reading list of 64 works): Camp Concentration by Thomas M. Disch, whose larger oeuvre is considered here.
Out this week: Thus Bad Begins by Javier Marías; Fish in Exile by Vi Khi Nao; Virgin and Other Stories by April Ayers Lawson; Valiant Gentleman by Sabina Murray; Pull Me Under by Kelly Luce; Faithful by Alice Hoffman; and Commotion of the Birds by John Ashbery. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
It’s a big season for Zadie Smith. While most of us eagerly await the publication of her latest book, NW, the author’s earlier work, On Beauty, is set to become a feature film. Smith’s first book to be dramatized on film was White Teeth, a UK mini-series from 2002 based on her book of the same name. (And available online if you have Hulu Plus.)