For everyone who harbors a deep and mildly-embarrassed love for GIFs in the significant, non-linguistic part of their brains that finds repeated facial expressions far more memorable than words: Ploughshares’ series on classic novels (1984, The Catcher in the Rye, The Scarlet Letter, The Hobbit) will have you laughing and building your cocktail-party knowledge all at once.
Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like “synapse,” “chemical imbalance” and “hardwired” point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.