This weekend–at 2:30 am on Saturday, to be precise–Twitter bot @everyword was set to complete its 7-year run with the final word in the English language: “zymurgy.” Unexpectedly, the bot tweeted again half an hour later–with a nontraditional character it had surreptitiously glossed on the first run: éclair. Since @everyword, like Lazarus, probably won’t get the same fuss after its second death, check out The Guardian’s interview with creator Adam Parrish now.
For those among us who have missed the eighties, from now until November 8th, Esquire magazine is hosting a special pop-up edition of SPY, that late-millennial stalwart of satirical journalism. Co-founder (and novelist) Kurt Andersen said he was moved to bring the magazine back because "lots more people, pretty much every day, said to me, 'SPY really needs to be rebooted, if only just for the election.'" If it's election satire you want, we highly recommend our own Jacob Lambert's literary cagematch: Hemingway vs. Faulkner vs. Trump.
Go Jane Give organized the “#Read4Refugees” social media campaign, encouraging users to raise awareness and funds for refugee issues. Over the past month, numerous well-known authors have joined in, including Junot Díaz, Jodi Picoult, Sue Monk Kidd, and Sherman Alexie, among others.
It is well known that Vladimir Nabokov and Edmund Wilson had one of the more visible falling outs in literary history over the former’s English-language Eugene Onegin translation, and indeed the history of that relationship’s souring is fascinating. But even still, it’s extremely interesting to read Nabokov’s nine-page “Reply” to Wilson’s “adverse criticism.” If nothing else, one has to wonder what Wilson was thinking when he brought a knife to a gun fight.
What happens when two magazine writers publish stories on the same topic within a month of each other? We get to read some of the best long-form journalism of the year. Both Esquire's Chris Jones and The Washingtonian's Garrett M. Graff wrote about what it was like to be on Air Force One after the Kennedy assassination. Jones' "The Flight From Dallas" hits 7,600 words, but Graff's "Angel is Airborne" totals 18,000. Save some time to read both because they're equally gripping and uniquely told narratives.