This weekend–at 2:30 am on Saturday, to be precise–Twitter bot @everyword was set to complete its 7-year run with the final word in the English language: “zymurgy.” Unexpectedly, the bot tweeted again half an hour later–with a nontraditional character it had surreptitiously glossed on the first run: éclair. Since @everyword, like Lazarus, probably won’t get the same fuss after its second death, check out The Guardian’s interview with creator Adam Parrish now.
Recommended Reading: Nathan Scott McNamara writes for The Atlantic on why we need indie publishers. “Eighty percent of U.S. books are produced by the Big Five publishers, but with each passing year—and with a stable small number of annual releases—independent presses are earning more of the literary conversation, gaining frequent articles and reviews in The New York Times, The Guardian, The New Yorker, and more.” You could also read Rebecca J. Novelli’s thoughts on Roberto Calasso’s The Art of the Publisher.
We have returned from Los Angeles, where it was so sunny and warm, to Chicago, where it is so cloudy and cold. It actually rained briefly one of the days we were in LA, and we thought it was hilarious that everyone kept apologizing for it. If people apologized for bad weather in Chicago, nobody would have time to talk about anything else. Anyway, I've spent the day catching up on e-mails, RSS feeds, blogs and the like, and I thought I'd share the links that caught my eye.Mad Max Perkins, editor and secret-identity blogger, returned from a long hiatus to reveal the title of the novel that he had gotten so excited about editing back when he was a regular blogger. The novel is Dope by Sara Gran, and I have to admit, I'm very intrigued. In the process, Perkins revealed himself to be none other than Dan Conaway of Penguin Putnam, as Sarah at GalleyCat explains.At BookLust, a gorgeous sculpture constructed out of books.Hikikomori, Japan's epidemic of shut ins. In the New York Times.An oddly terrifying look at all the psychological engineering that goes on in reality shows: The Omarosa Experiment at The Morning News.Hilarious and informative: Outrageous firsts in television history.Jonathan Yardley's review of Michael D'Antonio's Hershey gives an interesting snapshot of the chocolate magnate's life.
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The Coffin Factory, a "magazine for people who love books," interviews New Directions' Barbara Epler and Tom Roberge about "publishing and finding bold, new experiments in literature from around the world." (via)
"To survive, we learned to be great actresses. We cocked our heads just so, we laughed with just the right lilt, we batted our eyelashes and pursed our lips. Sometimes we were innocent, weak and in need of protection; other times we teased and tortured, until our customers raged for release." Beautiful new fiction by Karissa Chen for Catapult.
"Loss isn’t science; it’s a human reckoning." The New York Times posts an e-mail conversation between Joyce Carol Oates and Meghan O'Rourke on why we write about grief, following the release of Oates' memoir A Widow's Story and in anticipation of O'Rourke's own memoir of loss, The Long Goodbye.