In her short history of executioners, Stassa Edwards notes that the decision to replace “the traditional punishment” of drowning people “in a sack in a local river” was actually quite pragmatic: it was “more economical” to go with a simple beheading.
“Writing gives me great feelings of pleasure. There’s a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It’s like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way. It’s very physical. I get antsy. I jiggle my feet a lot, get up a lot, tap my fingers on the keyboard, check my e-mail. Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it’s working and the rhythm’s there, it does feel like magic to me.” Susan Orlean on why she writes.
In which Jami Attenberg (whose forthcoming The Middlesteins made it to our big 2012 second half books preview) discusses the outright mockery of Jeffrey Eugenides’s pseudo-famous vest in the web advertising campaign (which–full disclosure–also ran on The Millions) for Jennifer Weiner’s The Next Best Thing: “Hit Me with Your Vest Shot.”