In her short history of executioners, Stassa Edwards notes that the decision to replace “the traditional punishment” of drowning people “in a sack in a local river” was actually quite pragmatic: it was “more economical” to go with a simple beheading.
Chuck Klosterman wonders, which rock stars will historians of the future remember?
Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
“Joy and wonder. That’s at the heart of what I love about the natural world. If you’re receptive to it, it does something to human minds that nothing else can do.” Electric Literature talks with Helen MacDonald about living with, and like, a goshawk. Pair with Madeleine Larue‘s Millions review of MacDonald’s H is for Hawk.