You should check out George Saunders’s “Liner Notes” piece about “2776: A Musical Journey Through America’s Past, Present & Future,” which is set to accompany a forthcoming musical-comedy album from Patton Oswalt, Aubrey Plaza, Ira Glass, and Yo La Tengo, among others. If that hasn’t sold you, consider the fact that Saunders’s piece contains this line: “Truth be told, there were a number of regrettable omissions. Beyoncé and Jay Z’s piece ‘Bomber’ had to be left off the album. (‘Driver of this plane, this / B-52 on the way to Nagasaki / Stuff your ears with cotton and / Close those eyes / Me and my man are about to do it all over this / Here bomb’).”
“A record encapsulating all that is America”
Comparing Hatchets
The Omnivore has announced the shortlist for its the Hatchet Job of the Year Award, honoring “the author of the angriest, funniest, most trenchant book review of the past twelve months.” Worthy candidates all, though we note that our review, written by Holloway McCandless, of Michael Cunningham’s By Nightfall is perhaps even more trenchant than (and was published over a month before) Adam Mars-Jones’ shortlisted review, which, like ours, found Cunningham’s endless references to the literary canon tiresome.
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Joseph Roth’s Letters
“Among the 457 letters in Joseph Roth: A Life in Letters, there is not one love letter,” begins Stefany Anne Goldberg’s review of the author’s collected–and often outright misanthropic–correspondence.
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‘Bout Goddamn Time
In The Guardian, Sam Leith reviews Holy Sh*t: A History of Swearing, a new book by Melissa Mohr. In it, Mohr argues that swearing just ain’t what it ****ing used to be, man.
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a long foray in CG Omega
While writing by hand may be high risk work, the writer-typists among us face some tough decisions: what font should one employ? Do you need software to keep you from being distracted? Is it time yet for a distraction?
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Watching Alice Munro
You may have heard that Alice Munro couldn’t make it to Sweden to accept this year’s Nobel prize. Instead, she made a video, which you can watch in full on the Nobel Prize committee’s website. (You could also read Ben Dolnick’s beginner’s guide to her work, or else read my essay on the meaning of her win.) (h/t The Paris Review)