The Kilroys, a group of leaders in American theater, has put together a list of 46 plays by emerging women playwrights that they think deserve to produced (only 10.5% of Broadway plays are written by women). That list is a brilliant resource to promote diversity in dramatic literature–but now we want to read all the unpublished plays on it.
God’s terse first line in the Book of Genesis — “Let there be light” — was ready-made for the Twitter generation. If only the rest was as crisp, the British novelist Jeanette Winterson recalled thinking, as she began to reckon with that first book for a new theatrical project on the King James Bible. And then it hit her: Maybe God’s wisdom would crackle for a modern audience as Twitter posts of 140 words or less.
Although Jon Fosse is not well known in America, his work is revered in his native Norway, where he stands on a par with his onetime student and American celebrity, Karl Ove Knausgaard. In a piece for The Paris Review Daily, Damion Searls argues for Fosse’s relevance, claiming that Fosse is the only writer whose work made him weep as he translated it. You could also read Jonathan Callahan on Knausgaard’s My Struggle.
Qiu Miaojin was a Taiwanese novelist and lesbian activist, and her short life has had a profound impact on queer literature since her suicide in 1995. Recently Bonnie Huie received a PEN translation grant so she could bring Miaojin’s best-known work, Notes of a Crocodile, to an English-speaking audience. You can read an excerpt of Huie’s translation on the Asian American Writers’ Workshop online publishing platform, The Margins.
It’s extremely difficult to keep up with all of the books being published each day, so many thanks to the New York Times for this list of the latest in science fiction and fantasy. Now seems like as good a time as any to remind you about our Great Second-Half of 2016 Book Preview since we still have a bit of time left in the year.
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.