In an effort to get consumers to think more consciously about the “human cost” of commercial sugar production, artist Kara Walker has installed “Subtlety,” a large-scale public sculpture in Brooklyn’s iconic Domino Sugar Factory. Meanwhile, Edwidge Danticat explores contemporary labor conditions in the Dominican Republic’s cane fields.
“Would we also just weep and walk away?”
A Time of Scarcity
“I realized that there was something wrong with an arrangement whereby a relatively affluent person such as I had become could afford to write about minimum wage jobs, squirrels as an urban food source or the penalties for sleeping in parks, while the people who were actually experiencing these sorts of things, or were in danger of experiencing them, could not.” Barbara Ehrenreich on writing about poverty.
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Line / Break
The
nightmare
of formatting gone awry: are e-readers bad for poetry?
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Thou thing of no bowels thou!
Behold the Shakespearean insult generator, thou globe of sinful continents.
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White Lies
“As adults, we should hold each other’s work to high standards, and our own work to the highest of all. As writers, we shouldn’t settle for a single pale line. But before the poem is written, I say, we should lie to ourselves, the way we lied to that winded child. Before composition, we have to be gods.” Alex Chertok writes about literary pep talks for the Ploughshares blog.
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On the Master of Social Suicide
It's fitting in a weird sort of way that this article, which illustrates the unravelling of Truman Capote’s career, has quotes from two characters named Slim Keith and Babe Paley. Back in 1988, Gerald Clarke covered the story from a slightly different angle.
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Reactive Female Characters
Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
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