In an effort to get consumers to think more consciously about the “human cost” of commercial sugar production, artist Kara Walker has installed “Subtlety,” a large-scale public sculpture in Brooklyn’s iconic Domino Sugar Factory. Meanwhile, Edwidge Danticat explores contemporary labor conditions in the Dominican Republic’s cane fields.
“Would we also just weep and walk away?”
Love Letter Requiem
“I think of the book as a love letter in the form of a requiem.” Our own Emily St. John Mandel, whose novel Station Eleven was recently shortlisted for the National Book Award, was interviewed for Omnivoracious about writing, apocalypse and the beauty of the modern world.
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The World’s Most Powerful Editor
“I think you are abusing your power, and I find it hard to believe that you have thought it through thoroughly.” Norway’s largest newspaper, Aftenposten, has published a front-page letter to Mark Zuckerberg after Facebook censored an iconic image from the Vietnam war. The Pulitzer Prize-winning photograph of a naked nine-year-old Kim Phúc running away from a napalm attack was deleted from a post about seven images “that changed the history of warfare.”
Tatjana Soli, author of The Lotus Eaters, wrote for us about the legacy of that infamous photo a few years back.
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William Gibson’s Zero History
The New York Times reviews William Gibson’s new novel Zero History: “To read Gibson is to read the present as if it were the future…” Also: Douglas Gorney interviews Gibson for the Atlantic.
Philip Roth v. Wikipedia
Philip Roth, who just authorized Blake Bailey to be his official biographer, has written an “Open Letter to Wikipedia” wherein the author states his grievance with the site’s entry for his novel The Human Stain. Related: can we just give this dude the Nobel already?
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They Put a Spell on Her
“Maybe I could find some peace there, or a husband. Maybe it would be like going home.” Katherina Grace Thomas writes for Guernica about Nina Simone‘s three beautiful years in Liberia during the 1970s. See also: Bill Morris on the Hollywood biopic.
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Use It Or Lose It
At least two people were not pleased with John Jeremiah Sullivan’s recent cover story in the New York Times Magazine. In a letter to the New York Observer (and an expanded post on Google+), Susannah McCormick – daughter of renowned music historian Robert “Mack” McCormick – alleges that Sullivan and his research assistant “glibly” stole her father’s research in an act of “quasi theft.” In his response, Sullivan asserts that, “by hiding L. V. Thomas’s voice, by refusing for over half a century to credit or even so much as name the two singers who created those recordings while they or their contemporaries were alive, Mack McCormick committed a theft—through negligence or writer’s block or whatever reasons of his own—far graver than my citation of interviews L.V. granted him decades ago.”
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On the Spectrum
What color would The Little Prince be? Before you dismiss this as an inane question, artist Jaz Parkinson created color signatures based on how often books mentioned certain hues. The results look like a better Rothko painting. Pair with: Radiolab’s fascinating podcast on the science of color.
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