There’s been a lot of talk about women breaking into traditionally male fields and hobbies, but in a blog post at The Missouri Review Caitlin Rosberg laments the continued underrepresentation of female characters and creatives in comic books. She then explores the work she’s doing to improve the situation by publishing women writers and artists in works like the Ladies’ Night Anthology. As she says, “I’m motivated in no small part by being able to say to those ‘make your own’ strawmen, ‘I do. I’m an editor contributing to published comic books. Are you?'”
Women in Comic Books
Stephen Fry’s Culture Shock
Stephen Fry uses the Alabama-Auburn Iron Bowl to summarize the state of America.
Coda
Sad that Mad Men is over? We’ve got just the thing. Back in 2012, our own Hannah Gersen compiled a list of ten books to read when a given season — or, in this case, the series — comes to an end.
The Year of the Essay
“Reading fiction is one of my true loves, but essays help me to understand things about the world, the writer, and if they’re really great, myself.” Electric Literature‘s Jason Diamond argues 2014 was “The Year of the Essay,” and when we think over the collections published this year – The Empathy Exams, The Unspeakable and Loitering, among others – it’s hard to disagree.
The Investigation of Feeling
Recommended Listening: Poet Rachel Zucker speaks with Citizen author Claudia Rankine about willed ignorance and the known unknown.
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Stranger than Fiction
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Most Epic
This week in book-related infographics: an “Obsessively Detailed Map of American Literature’s Most Epic Road Trips.”
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Cover to Cover
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”