How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, “Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank.” Pair with: Larsen’s essay on the power of the infographic.
The late Colonel Harland Sanders (of Kentucky Fried Chicken notoriety) is the author of a newly unearthed manuscript "chock full of homespun anecdotes and life lessons from Sanders, who struck it rich late in life. It also includes a heaping helping of his favorite personal recipes." The manuscript will be published online within the next year.
Stephen J. Gertz shows off some of Bukowski's artwork; Sketches of F. Scott drawn by Zelda Fitzgerald and a portrait of their relationship by Anne Margaret Daniel; An interview with three of the more than 130 artists involved with The Graphic Canon, a series of illustrated literary classics.
In his write up here of an important, but overlooked essay on copyright by Lewis Hyde, guest contributor Craig Fehrman noted that the Hyde essay had been downloaded only 746 times in nearly four years. Now, after the piece here about it, and subsequent linking by Boing Boing, the essay is the second most popular on the Social Science Research Network.
Our own Edan Lepucki (who has a novel coming out soon, by the way…) interviewed four of the finalists for this year’s National Book Awards: Tenth of December author George Saunders, The Lowland author Jhumpa Lahiri, The Good Lord Bird author James McBride, and The Flamethrowers author Rachel Kushner. We reviewed both Saunders and Kushner’s works here and here, respectively, and you can also take a look at the rest of the NBA finalists over here.
Is it possible to share something with a "maybe don't read this" tag attached? The literary internet has been buzzing today over the moral implications of stripping a writer (and, by association, a human) of their anonymity after this piece on Elena Ferrante was published in the NYRB. Read it or don't read it, but definitely read her work.