Out this week: Lost for Words by Edward St. Aubyn; Another Great Day at Sea by Year in Reading alum Geoff Dyer; Funny Once by Antonya Nelson; Black Lake by Johanna Lane; Closed Doors by Lisa O’Donnell; Decompression by the German writer Juli Zeh; and J.R.R. Tolkien’s translation of Beowulf, published now for the first time. For more on these and other new titles, check out our Great 2014 Book Preview.
Do you like listening to music, but often struggle with an appropriate drink order? Enter Drinkify, a website which suggests cocktails based on the tunes you’re playing. (I tested it out with The Wu-Tang Clan. It told me to drink “1 bottle of gin.” Do with this information what you must.)
Harold Bloom turns eighty-five this year, which makes it all the more impressive that his forty-fifth book, The Daemon Knows, comes out this week. At Vulture, Amy Bloom (no relation) has tea and scones with the Yale professor, who talks about Emily Dickinson, Walt Whitman and why a critic called his new book “an invectorium.” You could also read Matt Hanson on his last volume of criticism.
"Many of the basic rules around typographic contrast and readability for print or 2D screens change in VR. When type becomes even a little bit more volumetric, the way people perceive it and interact with it changes. The type needs to be rooted in something real, otherwise it gets a little uncanny for the user.” What should typography look like in virtual, augmented, and mixed reality interfaces? The Drum considers (via The Digital Reader). Wonder what a book fetishist might thing of all this...