Out this week: Lost for Words by Edward St. Aubyn; Another Great Day at Sea by Year in Reading alum Geoff Dyer; Funny Once by Antonya Nelson; Black Lake by Johanna Lane; Closed Doors by Lisa O’Donnell; Decompression by the German writer Juli Zeh; and J.R.R. Tolkien’s translation of Beowulf, published now for the first time. For more on these and other new titles, check out our Great 2014 Book Preview.
I’ve recommended a couple of articles in recent weeks about the new novel by John Darnielle of The Mountain Goats. Unfortunately, as Liam O’Brien explains at the Melville House blog, it may not be a good idea to read it, especially if you’re impressionable. Why? The book contains a hidden trove of Satanic messages. (h/t The Rumpus)
The New Yorker’s book blog continues to host “Questioningly,” a so-called Twitter game show. The most recent installment featured the imagined Facebook status updates of literary figures, and was hosted by Ben Greenman. Who, might I add, is on a roll these days over at McSweeney’s Internet Tendency too.
We already knew that Haruki Murakami was a writer and runner but a former jazz club owner, too? Aaron Gilbreath visited Murakami’s 1970s jazz club, Peter Cat, and found “a drab three-story cement building. Outside, a first-floor, a restaurant had set up a sampuru display of plastic foods.” For more Murakami, read our review of 1Q84.
“It’s really strange to have the success of a poem be so directly tied to people processing grief. It’s a strange thing, because it’s a blessing and a curse.” The Rumpus interviews poet Maggie Smith about her new collection, Good Bones, her viral poem that shares its name, and her craft. From our archives: Smith’s collection was featured in our round-up of October’s Must-Read Poetry.
“To me a book is not just a particular file. It’s connected with personhood. Books are really, really hard to write. They represent a kind of a summit of grappling with what one really has to say. And what I’m concerned with is when Silicon Valley looks at books, they often think of them as really differently as just data points that you can mush together. They’re divorcing books from their role in personhood.” Digital pioneer and theorist Jaron Lanier fears that the Internet might be destroying not just literature, but also the middle class.