This month, Boost House is publishing what the New Yorker describes as “the first English-language paperbound anthology of Alt Lit and its siblings weird Twitter … and Flarf.” The collection – The YOLO Pages – features work by Steve Roggenbuck, Tao Lin, Patricia Lockwood, and (of course) @Horse_ebooks among others. But far from being a compendium of “vomit jokes and image macros of cats,” writes Kenneth Goldsmith, the book also contains poems “that obliquely grapple with bigger issues of morality, politics, feminism, capitalism, and the environment.”
To celebrate the 400th anniversary of William Shakespeare’s death in 2016, he’s getting a makeover. Jeanette Winterson is writing a cover of The Winter’s Tale, and Anne Tyler will be revamping The Taming of the Shrew for a 21st century audience. While you wait, watch Joss Whedon’s update of Much Ado About Nothing.
Somewhat overshadowed by David Simon’s recent op-ed on the state of modern America (if not capitalism itself) was the news that Wendell Pierce – featured prominently in both The Wire and Treme – secured a book deal for his meditation on Hurricane Katrina and “the effect it had on his family, his life, his memory, and his hometown.”
“The most unfortunate / Thing about history / Is not pornos. No, it is how Americans / (And we were talking about men but may I take this opportunity / To be more inclusive, because inclusivity is in!) were once better than they are at present.” In which an imagined David Brooks writes a sestina about misogyny. Here’s a Millions piece in which the real-life Brooks is thought of not as a pariah, but as a harbinger of hope.