This month, Boost House is publishing what the New Yorker describes as “the first English-language paperbound anthology of Alt Lit and its siblings weird Twitter … and Flarf.” The collection – The YOLO Pages – features work by Steve Roggenbuck, Tao Lin, Patricia Lockwood, and (of course) @Horse_ebooks among others. But far from being a compendium of “vomit jokes and image macros of cats,” writes Kenneth Goldsmith, the book also contains poems “that obliquely grapple with bigger issues of morality, politics, feminism, capitalism, and the environment.”
“As a speaker of a small language, it can be alarming to hear the rapidly increasing influx of new words from a dominant force. Back in 2000, linguistics researcher Sylfest Lomheim caused upheaval by claiming the Norwegian language wouldn’t survive the next century. Is this the beginning of the end?” On the Anglicization of Norwegian.
Try out our new “Random Post” button below the search boxes on the sidebar.CJR unveils new software in the quest to stamp out “gotcha journalism.”* Charlie Gibson, September 11, 2008:Question: “Have you ever met a foreign head of state?”Gotcha Quotient: 95Reason: First of all, foreign policy-related questions are incredibly unfair…Tennis reprints David Foster Wallace’s feature essay from its September 1996 issue.Perhaps not the most useful link in these tight times: “The Most Expensive Things I could Find On Amazon.com” (Note: several of these are out of stock. Coincidence?)None of you saw this coming: Rapper Coolio to release his own cookbook.Cindy Sherman’s famous librarian “Untitled Film Still” fetched $900k at a recent auction.
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”
Apocalyptic literature is nothing new, but it may, according to Grayson Clary, be entering a new era. In Bookforum, he argues that Benjamin Percy’s The Dead Lands ushers the genre into its mannerist phase. Sample quote: “The Dead Lands is really the stripped, buffed skeleton of a road story, set up to show off—attractively—an enormous quantity of decorating tropes.” You could also read our interview with Percy.