This month, Boost House is publishing what the New Yorker describes as “the first English-language paperbound anthology of Alt Lit and its siblings weird Twitter … and Flarf.” The collection – The YOLO Pages – features work by Steve Roggenbuck, Tao Lin, Patricia Lockwood, and (of course) @Horse_ebooks among others. But far from being a compendium of “vomit jokes and image macros of cats,” writes Kenneth Goldsmith, the book also contains poems “that obliquely grapple with bigger issues of morality, politics, feminism, capitalism, and the environment.”
"I have often thought that if I were ever a drag queen, and more specifically that if I were ever a drag queen who was a contestant on RuPaul’s Drag Race, I would play Virginia Woolf — or rather, Nicole Kidman as Virginia Woolf — in the Snatch Game episode when the contestants don their very best celebrity impersonation." Untucking RuPaul's Drag Race at The Los Angeles Review of Books.
When asked about his tenure as a professor of creative writing, Harry Crews used to say, "I may be at the university, but I damn sure ain’t of the university." But in talking to his former students, Crews's biographer, Ted Geltner, found that in spite of the writer's efforts to distance himself from academia, he really was a passionate, memorable teacher. (Bonus: Yours truly named one Crews work his "most representative" Florida book.)
"According to the biography, Hadden designed the fact-checking system with the thought that putting a male writer and a female researcher together in a quasi-adversarial situation would create a sexual dynamic that could lend energy to the process." Calvin Trillin's memories of the Time offices in the early 1960s are at times more Mad Men than Mad Men.