“There’s much to be commended in the work done by FiveThirtyEight, or even Vox,” writes Millions contributor Brian Ted Jones. “But making problems seem smaller then they are is a harm that outweighs all the good.” He goes on to tie together the rise of “explainer” sites, the problem with “hashtag activism,” and also references to Louis C.K., Teju Cole, and Leslie Jamison.
“Pornography has changed unrecognizably from its so-called golden age—the period, in the sixties and seventies, when adult movies had theatrical releases and seemed in step with the wider moment of sexual liberation, and before V.H.S. drove down production quality, in the eighties. Today’s films are often short and nearly always hard-core; that is, they show penetrative sex. Among the most popular search terms in 2015 were ‘anal,’ ‘amateur,’ ‘teen,’ and—one that would surely have made Freud smile—’mom and son.'” The New Yorker attempts to make some sense of modern pornography.
Columbia once moved its twenty-two miles of books by sending them down a really, really long slide. As The Paris Review documents, in 1934, the university stocked its then-new Butler Library with a slide that ran from Low Library to the new building. (No word on whether the slide is secretly used to this day.)
The much discussed Fifty Shades of Grey arrives as a paperback today, though one wonders if readers will be as willing to read it if they must shed the privacy of the e-reader. Also out is the gorgeous retrospective, The Art of Daniel Clowes. The Forgotten Waltz by Anne Enright and MAN Asian Literary Prize winner Please Look After Mom by Kyung-Sook Shin are new in paperback.
We’ve heard about the weak dollar making things tough on Canadian readers, but the pain is being felt by Canadian publishers as well, as profit margins diminish. The latest casualty is publisher Raincoast Books.Philip Agee died today. His Inside the Company in 1973 may have created a modern day genre, one that would be contributed to by many former agents, the CIA tell-all.The Atlantic reaches deep into the archives to bring us “The History of Children’s Books,” from 1888:It is hard to imagine a world without books for children. There have been children’s stories and folk-tales ever since man first learned to speak. “Many of them,” in Thackeray’s words, “have been narrated, almost in their present shape, for thousands of years since, to little copper-colored Sanscrit children. The very same tale has been heard by the Northmen Vikings, as they lay on their shields on deck; and by the Arabs, couched under the stars in the Syrian plains, when the flocks were gathered in, and the mares were picketed by the tents.” Children’s books, however, are a late growth of literature. Miss Yonge says, “Up to the Georgian era there were no books at all for children or the poor, excepting the class-books containing old ballads, such as Chevy Chase, and short tales, such as The King and the Cobbler, Whittington and his Cat.” We shall nevertheless see that there were English books for children (and it is with no others that we have to deal) long before this time.