“Now, I’m not going to lie. It’s annoying, to have to take time out of my incredibly busy writing schedule in order to spell it all out for young people, just because they spend most of their daylight hours being urged by hoary old theorists in threadbare sweaters to write experimental fiction that will never sell. But I care deeply about the young—all of them, the world’s young—so of course I am humbled and honored to share the trade secrets embedded in my rigorous daily work schedule.” Heather Havrilesky on her writing life.
Oh, shit: looks like many of our curse words are quickly going extinct. (There is good news, however, contained in this delightful sentence: “Still, according to Sheidlower, f-bomb enthusiasts need not fret too much.”)
The Guardian gives us Booker-winner Line of Beauty "condensed in the style of the original."Some of you may have already seen this one: The 100 Greatest Books of all Time, also from the Guardian. How many have you read? I'm at 24, and I love that Kingsley Amis' Lucky Jim makes the list. To anyone who is looking for a recommendation on what to read right now: get Lucky Jim, you'll love it.Weren't we talking about ISBNs the other day? Here's a new blog about ISBNs and "book information" by a former Amazon employee and the creator of isbn.nu.Steve Landsburg asks: Too many books? I'm not completely sure I see his point. He seems to be implying that people only read one book a year. Furthermore, publishers fall all over themselves trying to create a blockbuster book; it's far more cost-effective to promote a few guaranteed big sellers than a lot of risky titles. Sad but true. Perhaps the better thing to do is not to bemoan the inevitable Da Vinci Codes but to instead look for creative, cost-effective ways to promote riskier books.Malcolm Gladwell, author of the trendsetting book about trendsetting, The Tipping Point, has new book coming out called Blink: The Power of Thinking Without Thinking, in which he "reveals that what we think of as decisions made in the blink of an eye are much more complicated than assumed."
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature -- posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki's argument that literature is a genre.
As titles go, it’s hard to get more straightforward than England and Other Stories, the new collection by Graham Swift. In the Times, Michiko Kakutani provides her verdict, lauding Swift for his ability to paint “vistas as panoramic as those in the stories of Alice Munro.”