“Now, I’m not going to lie. It’s annoying, to have to take time out of my incredibly busy writing schedule in order to spell it all out for young people, just because they spend most of their daylight hours being urged by hoary old theorists in threadbare sweaters to write experimental fiction that will never sell. But I care deeply about the young—all of them, the world’s young—so of course I am humbled and honored to share the trade secrets embedded in my rigorous daily work schedule.” Heather Havrilesky on her writing life.
“Stories are born unconsciously, but I think the writer determines whether the turn a book has taken is true or false through feeling, which is conscious. I shape my stories in this or that way because the story answers something that is emotionally rather than literally true for me.” At Full-Stop, Siri Hustvedt talks fiction with Tyler Malone.
On Monday, the Harry Ransom Center announced that it had acquired the complete archive of Gabriel García Márquez, which includes notebooks, photo albums and correspondence by the late Nobel laureate. For Márquez fans, the most important part of the collection may We’ll See Each Other in August, the author’s final, unfinished novel. Pair with: Charles Finch on Márquez and the modern novel.