America’s oldest LGBT bookstore, Giovanni’s Room, is closing on May 17. The Philadelphia staple is shutting its doors after four decades due to the owner’s retirement and financial problems. At Salon, Steve Berman remembers the store and discusses how its closure will affect the publishing and LGBT community. “So LGBT books are forced to the edges, to the shadows, despite claims of assimilation. Gay authors have to do more and more marketing to find readers. Gay publishers have to struggle with shrinking venues to showcase their titles.”
The End of Giovanni’s Room
A message for all my juggalettes and juggalos out there
The Rumpus has a little round up of links in anticipation of the 13th annual Gathering of the Juggalos. If you’re at all fascinated by the devoted fans of Insane Clown Posse, or if you yourself are one, you’d probably get a lot out of Kent Russell’s excellent essay “American Juggalo” in issue no. 12 of n+1.
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The Graphic Novel Warhorses
Alexander Chee posts the list of texts he used to teach his seminar on the graphic novel at Amherst – the graphic novel “warhorses,” as he calls them – and explains why they are the essential books for those interested in getting to know the form. (via The Rumpus)
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Book(case) Criticism
Dispirited by the deluge of advance review copies and publishing mailers (a plight to which I can relate), Ron Charles decided to forego traditional book criticism for the time being and instead to focus on reviewing something more immediately practical: a bookcase.
Tuesday New Release Day: Alexievich; Hall; Phillips; Melamed; Scott
Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.
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Words came in, marked for death.
The New Yorker has been hosting a Twitter game show, and this time around the contestants were words and in a macabre turn each word was berated by the audience, the people calling out for the death of that contestant. One word was forced to ultimately bite the bullet and will no longer be welcome in the magazine’s next issue. Tragic.
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