If you don’t have any weekend plans, we suggest you spend your time on the British Library’s new Victorian and Romantic section of Discovering Literature. The site features 1,200 literary treasures, including a manuscript of Jane Eyre and 20 short documentaries.
The Best of 19th Century British Lit
I Am Not a Writer
“I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives.” Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.
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$5,000 Is Less Than Most Freelancers
Bret Easton Ellis and Paul Schrader are using Kickstarter to raise $100,000 for an indie movie entitled The Canyons. The film “documents five twenty-something’s quest for power, love, sex and success in 2012 Hollywood,” and, if you donate $5,000, Ellis will provide notes on your novel. According to New York, this Ellis-Schrader film is not to be confused with their other one about sharks, alluded to most recently by Ellis in his Paris Review interview (Reg. Req.).
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Getting You Back on Your Feet
If you get bored on your daily commute, you might want to look at Derive, an app that generates random routes that give you new perspectives on your city. As The Common founder (and Millions contributor) Jennifer Acker puts it: “Let the French show you how to walk.”
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Reading Lists Amended
Remember when Esquire released their not-so-great list of eighty books every man should read? Well, they have amended their list to eighty books every person should read, asking advice from “eight female literary powerhouses” including Roxane Gay, Michiko Kakutani and Lauren Groff. Our own Janet Potter recommends twenty-eight books you should read if you want to.
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Where Has the Venom Gone? Pls RT.
Jacob Silverman tackles the niceness epidemic besieging literary criticism at the moment. Where have the hatchet jobs gone? Is social media’s “communalism” robbing critics of their fangs? Each time a publication refuses to print a negative review, the act amounts to “a victory for a publicist, but not for readers,” he writes. (Just a few notes: Silverman’s piece is based on a blog post he wrote recently; Emma Straub has responded on her own blog; and, for what it’s worth, our own Michael Bourne’s recent review of Richard Ford’s Canada was pretty toothy.)
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