Rejection is something all writers face and no one’s pretending it’s pleasant, but worse than the rejection itself are the hours spent deciphering where a submission went wrong. Thankfully Lincoln Michel at Electric Literature was inspired by a 1920s rejection slip to create a self-explanatory “thanks but no thanks” note. While we’re thankful these aren’t the norm, we can definitely see the appeal…
Thanks But No
“Turning one’s novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed.” – Nabokov
With the movie adaptation of The Great Gatsby slotted to come out next summer and Anna Karenina due out in late November, film critic Richard Brody looks back at some of his favorite movies based on literature and proposes what makes an adaptation successful.
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The Problem with “Brave”
On odd reading habits, the problem with “brave” writing and being a writer in LA: an interview with Meghan Daum, whose essay collection The Unspeakable was reviewed by our own Hannah Gersen.
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Rule No. 8: Is secret.
Colson Whitehead offers eleven simple writing rules. Also check out our review of Whitehead’s most recent novel, Zone One.
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Smile More
Recommended (Frustrating) Reading: “Men Explain Submissions To Me,” an eye-opening new piece from Sarah Blake at The Rumpus.
Pulp Saint
From The Atlantic comes the case for canonizing G.K. Chesterton, the “Catholic convert and an oracular man of letters, a pneumatic cultural presence, an aphorist with the production rate of a pulp novelist.”
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LA Times Lays Off Reviewers
The Los Angeles Times book review laid off its entire staff of freelance book reviewers.
The Year of Incendiary Writing
Caitlin Flanagan’s long Atlantic piece on Joan Didion has sparked a lot of conversation. Among the article’s contentious lines: “to really love Joan Didion … you have to be female.”
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