“I found it hard to escape the sensation that I’d be teaching inside a giant metaphor.” Rachel Kadish once taught a creative writing class in a bomb shelter, but rather than stifling her students’ work, it allowed her to see how writing can act as a shelter, too.
Take Shelter
Nice Nonfiction
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
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I Heard You Like Underground So…
Xzibit would have a field day with this one: an underground bookshop that sells underground books and zines.
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IAmA Famous Book Critic
Pulitzer-prize winning book critic Michael Dirda joined Reddit and invited the internet to ask him anything; among the highlights—the worst book he’s ever read, an allusion to scoring crack for Hunter S. Thompson, and a picture of Dirda’s cat.
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Tuesday New Release Day: Fassnacht; Gottlieb; Egan; Kleeman; Goolrick; Gaiman
Out this week: A Good Family by Erik Fassnacht; Best Boy by Eli Gottlieb; A Window Opens by Elisabeth Egan; You Too Can Have a Body Like Mine by Alexandra Kleeman; The Fall of Princes by Robert Goolrick; and a limited edition of Neil Gaiman’s The Truth Is a Cave in the Black Mountains. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
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What’s the point?
“What’s the point of reading literature?” Electric Literature shares a video that offers a compelling 4-point answer.
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Unfinished Work
At the Fiction Writers Review, Robin Black sits down with contributor and Year in Reading alumna Nichole Bernier. The two discuss, among other things, Bernier’s new novel, The Unfinished Work of Elizabeth D., as well as novels in which lengthy sections feature characters reading journal entries. (Bernier calls them “funhouse mirrors.”)
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