“I found it hard to escape the sensation that I’d be teaching inside a giant metaphor.” Rachel Kadish once taught a creative writing class in a bomb shelter, but rather than stifling her students’ work, it allowed her to see how writing can act as a shelter, too.
In the new Granta, Adam Johnson writes about the mind-bending experience of traveling to North Korea, an experience which informed his Pulitzer-winning novel The Orphan Master’s Son. Perhaps the saddest anecdote -- and there are a lot of sad anecdotes -- is the one about the North Korean tour guide who couldn’t believe the author didn’t want to buy knockoff goods.
Over at Slate, Mike Vuolo speaks with Bob Garfield about "African-American English," or, as some might say, "Ebonics." The two of them explore its history, misconceptions, and whether or not it's possible or even appropriate for a white writer (such as The Help author Kathryn Stockett) to attempt to write in the dialect of certain African-Americans.