“I found it hard to escape the sensation that I’d be teaching inside a giant metaphor.” Rachel Kadish once taught a creative writing class in a bomb shelter, but rather than stifling her students’ work, it allowed her to see how writing can act as a shelter, too.
The New Yorker’s book blog continues to host “Questioningly,” a so-called Twitter game show. The most recent installment featured the imagined Facebook status updates of literary figures, and was hosted by Ben Greenman. Who, might I add, is on a roll these days over at McSweeney’s Internet Tendency too.
Let the Great World Spin author (and one of today’s YiR2011 writers!) Colum McCann had some inspiring words for this year’s crop of Boston College freshmen. “There’s a degraded discourse around the notion of optimism these days that says there is something soft about being an optimist—something wrong,” he said. “It claims that optimism has no edge, as if it’s less than complete, less than the full deck of knowledge. The optimist is cartooned into the corner with an idiotic grin. I submit to you that none of that is true.”
At Bookforum, Rebecca Donner talks with former Granta editor John Freeman about his new book of interviews, How to Read a Novelist. Freeman says that he enjoys interviewing writers in their homes because it allows him to observe them more closely: “The writer thinks you’re taking notes about what he’s saying, but you’re really writing, ‘His head looks like a lion’s head.’”
James Hynes discusses the books he read when writing his latest novel, Next: “I wanted to see if I could write a day-in-the-life novel, a narrative that would be set in a single day, or part of one, and by working backwards and forwards through flashbacks, encompass the entire life of a single character.”