Junot Díaz has criticized MFA programs for being “too white.” So what’s on his syllabi? Salon found the syllabi for the two courses Díaz teaches at MIT. In his fantasy world-building class, students read everyone from Bram Stoker to Octavia Butler. His advanced fiction course includes stories by Edwidge Danticat and Roberto Bolaño. Where can we sign up?
Over at Catapult, Mensah Demary shares the story of how he got to be a professional editor. As he puts it, “I was asked recently what it takes to succeed as a writer and editor. Actually, I was being asked a more specific question: how do you become a successful writer and editor? I don’t have the answers; I only have my life.” Pair with Kate Angus’s Millions essay on making a living as a poet.
A D Jameson asked HTMLGIANT readers to name “the best story that [they’d] read in the past few years,” and then he handily rounded up all of the answers and arranged them chronologically. He even provided links when he could. I guess we’ll see you guys next month!
At My Life and Thoughts, Elif Batuman–in delightfully Elifish style–describes her first book travails and unveils a preliminary sketch for the cover of her forthcoming first book The Possessed: Adventures with Russian Books and the People Who Read Them, drawn by New Yorker cartoonist Roz Chast.
“[A]ny discussion of craft does not take place in a vacuum – that race is part of one’s lived experience and how we see ourselves and are seen does impact how and what we write.” Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki‘s impromptu syllabus of craft readings.