Junot Díaz has criticized MFA programs for being “too white.” So what’s on his syllabi? Salon found the syllabi for the two courses Díaz teaches at MIT. In his fantasy world-building class, students read everyone from Bram Stoker to Octavia Butler. His advanced fiction course includes stories by Edwidge Danticat and Roberto Bolaño. Where can we sign up?
In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.
Say goodbye to Sadie Stein! Stein, who is moving on after two years as The Paris Review Daily’s correspondent, had this to say: “It is a strange thing to monetize your emotions. Anyone who writes or creates knows this. And the work one does on the Internet feels insubstantial, even by the flimsy standards of intellectual property. Any body of digital work is a funny mixture of ephemeral and immortal, and it’s hard to know how to feel about such an archive.”
B|ta’arof – which launched last year – announced a new poetry series featuring translations of “contemporary poems written in Persian and translated into English by emerging poets and scholars in the Iranian diaspora.” The translations will be accompanied by brief interviews with the translators, each consisting of the same five questions. “The idea,” according to the mission statement, “is to pull back the curtain on the process of translation, revealing how it is subject to individual choices and proclivities—the first choice being what poem to even translate.”
After winning a $100,000 grant from the Andy Warhol Foundation, what do you do for an encore? How about staging “fifty days of lectures, discussions, and debates” about what the future ought to look like? How about enlisting the likes of Laurie Anderson, Samuel Delany, Rachel Kushner, and Norman Rush as ringmasters? How about having the entire thing take place in structures designed by artists José León Cerrillo and Adrián Villar Rojas? Triple Canopy‘s “Speculations” occupies MoMA’s P.S. 1 this summer