What do you do after you’ve retired but before you’ve won a Nobel Prize? You get interviewed by Stephen Colbert, apparently. (Bonus: How have other authors retired in the past? Let us count the ways.)
Francine Prose has a new novel out this week, while Elizabeth McCracken has a new story collection on shelves. Also out: Chestnut Street by the late Maeve Binchy; In the Light of What We Know by Zia Haider Rahman; Terms and Conditions by Robert Glancy; The Selected Letters of Elia Kazan; and new paperback editions of The Color Master by Aimee Bender and The Infatuations by Javier Marias.
Fun fact: Up until the late 1940s, science fiction novels really didn’t exist. Andrew Liptak writes about the rise of the paperback novel and the evolution of science fiction for Kirkus Reviews. Pair with Nichole Bernier‘s Millions essay on “The Point of the Paperback.”
No surprise here — Elena Ferrante fever continues to sweep the literary world. Last week, an Italian historian was forced to deny claims that she was actually the Neapolitan novelist. Now, The Guardian takes a look at the unique history of pseudonyms and posits whether Ferrante’s mystery might outlast some famous historical masqueraders. For the unacquainted, here’s a quick piece on reading Italy through Ferrante’s work.
“…a range of products appeared on the market carrying Pushkin’s image to the masses – cigarettes, matches, candy, pens, stationery, inkstands, liqueur, knives, watches, vases, cups, shoes, dresses, lamps, fans and perfumes. There was even a board game called ‘Pushkin’s Duel.'” The omnipresent cultural status of Pushkin in Russia.