Hemingway biopics are nothing new, but the latest is the first Hollywood film shot in Cuba since 1959. Papa will tell the story of Hemingway’s friendship with a Cuban journalist during the 1950s.
The modern maestros of fantasy at Bethesda Softworks penned thousands of pages of text for the Elder Scrolls series, scattering 256 detail-packed, in-game books across 2006’s Oblivion, with a commensurate amount in 2002’s Morrowind. Presumably these tomes were consumed by the hardcore few. Did Bethesda spend countless hours of careful word-crafting for a fanatical minority?
“Dear publisher, I am sorry if I do so few of these stories justice. Someone else surely will. I don’t know what justice for a book is but I think I saw it as I prayed over this one.” Matthew Jakubowski reviews Diane Williams’ latest collection Fine, Fine, Fine, Fine, Fine at Minor Literature[s]. You could also read his reviews of Azareen Van der Vliet Oloomi’s Fra Keeler and Margriet de Moor’s The Storm at The Millions.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. […] One might say that New Yorkers like the folks in ‘The Beach Boy’ are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”
“If you’re doing an assignment for some Luddite professor who insists on originality – and probably uses typewriter ribbon – keep in mind that I only offer phrases from hard-to-trace sources. Just today I was slipped some primo stuff from an English teacher in Simonton, Iowa who’s been advising the high school literary magazine for decades. This woman, her voice is as smooth as creamed corn.” Confessions of a metaphor merchant.