Recommended Reading: “The Original Self-Pleasure Equation” by Susan Lewis.
The B.O.M.M. blog looked at our recent item Best American Short Stories: By the Numbers, in which we crunched some numbers behind the Best American Short Stories series, and created a nifty word map of the short story titles that appeared in the series from 1978 to 2008. “The most frequent word for a title (not including articles and such)? Life. It has appeared 9 times.” If anyone else decides to mine some interesting discoveries from the B.A.S.S. data, let us know.
Book reviews are great and all, but even we sometimes feel they’re missing something. Enter Kevin Thomas, whose HORN! illustrated reviews for The Rumpus are beautiful and informative in under 9 panels. Compare his pieces on Roxane Gay‘s An Untamed State or Leslie Jamison‘s The Empathy Exams to our reviews here and here, and be sure to check out the just-published HORN! The Collected Reviews.
“Behind the collective feast and public ritual lies a personal dimension: the holiday as each of us has lived it, laughed about it, imagined it or reinvented it.” For their “My Thanksgiving” feature, The New York Times asked nine writers — including Parul Sehgal, Viet Thanh Nguyen, and Emma Cline — how they celebrate the holiday. Pair with Nguyen’s 2015 Year in Reading.
“It is intended to attract candidates who otherwise would not have access to publishing, and to therefore increase the diversity and inclusivity of the industry.” Indie publisher Graywolf Press is offering a paid, 10-month internship “designed to support a person who is interested in learning more about the publishing industry through an introductory, hands-on experience.”
Millions alumna Emily M. Keeler interviewed author David Gilmour for Hazlitt’s Shelf Esteem blog. In the process (and perhaps because he was distracted by “a Frenchman”) the author voiced some opinions on female authors that have been called “ill-informed,” “careless and offensive,” and “staggeringly narrow-minded and parochial.” The ongoing kerfuffle prompted Hazlitt to share the unedited transcript from Keeler’s interview, and it’s clear that Gilmour’s remarks were not taken out of context.
“They’re pictures, not images; displays, not shots; illustrations, not compositions. They are respectful displays of performance—of the demonstrative theatrical antics into which Anderson lets his performers lapse.” Richard Brody on the film version of Thomas Pynchon’s Inherent Vice.