As Seán O’Casey’s play “The Silver Tassie” is revived at London’s National Theatre, three Irish actors tell The Guardian how they feel about famed playwright. “I’d say he’s on a par with your Shakespeare,” Niamh Cusack says.
In a long investigation of Hunter S. Thompson’s classic essay, “The Kentucky Derby Is Decadent and Depraved” (PDF), Josh Roiland takes readers to church by pointing out exactly what’s so alluring about the piece, which “scholars often point to … as the origin of Gonzo Journalism.”
“For the first half of a new book, maybe you want your back against the wall. Gunslinger style. Nothing can sneak up on you except your own bad sentences,” Colson Whitehead said. He and four other authors discussed where they like to write in The New York Times. Bonus: See where our writers work.
Say you’re the kind of person who never ends a sentence with a preposition. You’re studious about distinguishing between “its” and “it’s,” and you’re likely to judge a person who says “nauseous” when they should have said “nauseated.” But occasionally, if you’re being honest with yourself, you suspect that a lot of the grammar rules you follow are conditional or even arbitrary. Herewith, Steven Pinker offers ten rules you should break from time to time. (Related: Fiona Maazel wrote an essay for The Millions on good grammar.)
South Floridian bandits, fishermen, drunks, madmen, and college students are mourning the imminent demise of beloved Miami institution, Jimbo’s. The site of the “Who Lets The Dogs Out” video, the Flipper movie starring Elijah Wood, and a couple iterations of the now-defunct Swampstomp music festival, Jimbo’s defied summation. Put simply, you had to see it yourself. The way I always explained it to my friends up North was by telling them it was like The Rum Diary met CBGB’s and Will Smith’s “Miami” video. Still, even that’s insufficient, so I recommend reading the Miami New Times‘ epic chronicle of the place’s history.