Over at The Takeaway, Nikki Giovanni and Kwame Dawes reflect upon Maya Angelou’s enduring legacy, and how she affected both of them personally.
In anticipation of Adam Sternbergh’s novel, Shovel Ready, Chris Bilton and Sarah Liss collaborated on “the ultimate N.Y.C. dystopia map,” which serves as an amalgamation of “some of the darkest visions of the city.” Meanwhile, Jacob Silverman points us to a map of St. Petersburg, Russia, “made out of lines from Russian literature.” (Bonus: Sternbergh discusses his novel with the Los Angeles Times.)
80 years ago Samuel Beckett’s publisher rejected his short story “Echo’s Bones” because it gave him the “jim-jams.” The 13,500-word piece on the afterlife was intended for More Pricks Than Kicks until his editor Charles Prentice claimed, “People will shudder and be puzzled and confused; and they won’t be keen on analysing the shudder.” Fortunately, it will finally be published by Faber and Faber on April 17.
We encourage you to join Electric Literature’s #ReadMoreWomen campaign. Their aim is to “challenge you to increase your consumption of women and nonbinary authors, and tweet at @ElectricLit with the hashtag #readmorewomen to tell us what you’re reading or recommend a book.” Sounds good to us!
PW points out yet another publishing industry totem being torn down by the rise of e-books, the first printing number, once a signifier of how “big” publishers and the media expected a book to be: “In an era when first printings are down because e-books can account for as much as 50% of sales on frontlist titles, the term ‘first printing’ sounds more and more out of place.”