VQR has published an essay by Chris Fischbach of Coffee House Press that provides an overview of some of the innovative small presses at work today. Fischbach specifically mentions Tin House, Melville House and Two Dollar Radio as “nimble” publishing houses that “can try things big publishers might not find worthwhile or consistent with the aims of a traditional publishing program,” such as producing micro-budget films or illustrated versions of classic works of literature.
Nimble Publishing
New Harvey
At Variety‘s blog, news that Steven Speilberg has signed on to his next project: A remake of Harvey, the Pulitzer-winning 1944 play and beloved 1950 Jimmy Stewart movie about a man, Elwood P. Dowd, and his friendship with an invisible giant rabbit.
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Bring your @ game.
Sarah Weinman has compiled a list of verified literary Twitter accounts on her blog.
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“What’s today?”
Recommended Reading: James Galvin’s “Bet,” which was selected as The Missouri Review’s poem of the week.
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Kafka’s Century
Kafka‘s The Metamorphosis has officially hit the century mark, and over at The Guardian Richard T. Kelly celebrates with “100 thoughts for 100 years.” Pair with our own Matt Seidel‘s thoughts on rereading Kafka’s masterpiece, which you can find here.
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Shantih, Shantih, Shantih
It’s time to clear out a little spot on that bookshelf because this one is sure to impress your literary friends. Among a few other incredible books up for sale by a London bookseller is this copy of T.S. Eliot’s The Waste Land. It is one of the original 460 copies hand printed by Virginia and Leonard Woolf, and it is signed by Eliot to the doctor who treated him at the clinic in Laussane where the poem was written. Good thing you’ve been saving up.
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Why is historical fiction maligned?
In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?
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Joyless
Poor Emily Schultz. Her debut novel is getting trashed on Amazon — not because it’s a bad novel, but because a number of reviewers have confused her with Stephen King. (It doesn’t help that her magazine also shares a name with King’s novel.)