VQR has published an essay by Chris Fischbach of Coffee House Press that provides an overview of some of the innovative small presses at work today. Fischbach specifically mentions Tin House, Melville House and Two Dollar Radio as “nimble” publishing houses that “can try things big publishers might not find worthwhile or consistent with the aims of a traditional publishing program,” such as producing micro-budget films or illustrated versions of classic works of literature.
Do you live near Athens, GA? Come out tonight to support a newly opened indie bookstore: Avid Bookshop. Or, if you can’t make that, hit up tomorrow’s “Kids’ Day” at the same place. They have a Twitter account, too.
If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”
“In my adolescence people spoke of ‘café intellectuals,’ not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.” Juan Villoro on the writing life in Mexico City’s cafés as part of the “Writing Life Around the World” series for Electric Literature.
“Too vast for human comprehension, yet at the same time a tabula rasa for each fragile individual’s desires, it’s a classic example of the Romantic sublime, as mesmerising as it is deadly.” The Guardian reviews Year in Reading Alumnus Claire Vaye Watkins’s Gold Fame Citrus. Compare and contrast with our review of the novel.