Robert Penn Warren was the subject of the lecture given by Natasha Trethewey last week. It was her final presentation as U.S. poet laureate, as her second term wraps up later this year.
Congrats are in order for Sergio de la Pava, who just won the $25,000 PEN/Robert W. Bingham Award for his debut novel, A Naked Singularity. For more on the novel, which holds an illustrious place in our Hall of Fame, check out our own Garth Risk Hallberg’s profile of the author from last year.
“To be able to sing under that kind of oppression I think, in a lot of ways, is the very essence of survival, of a people, of the ability to have to the hope to make something beautiful amongst so much wretchedness.” Tyehimba Jess, author of the fantastic new collection of poetry Olio, is interviewed over at The Literary Hub.
Any writer who has felt the sting of rejection—that is, all writers—will be inspired by the story of Dick Wimmer, who has died at the age of 74. Over the course of 25 years, a total of 162 agents and publishers rejected Wimmer’s first novel, Irish Wine, before it was finally published by Mercury House in 1989. The New York Times called it a “taut, finely written, exhaustingly exuberant first novel.” The L.A. Times invoked James Joyce in its review. Wimmer, the iron man of the rejection wars, went on to publish two sequels, Boyne’s Lassie and Hagar’s Dream (All three books are now available in a single volume from Soft Skull.) The moral of Wimmer’s story? Never give up.
While on the publicity tour for his latest book, Boomerang: Travels in the New Third World, Michael Lewis stops by NPR‘s “Fresh Air” to talk Greece, the Euro, California’s “third world problems,” and the Occupy Wall Street protests. The author also gets a nice write-up in the latest New York Magazine, and his interview on last night’s “The Daily Show” ran so long, they had to put the full version online. (Start “The Daily Show”‘s clip at ~21:50 for the interview.)
“Biography, even those of intellectual figures, assumes a general reader, a reader who does not understand or want to understand the ideas of its subject. The biography of a philosopher magnifies this approach, turning its attention simply to the ‘significant events’ in the life of the philosopher.” Derrida: the impossible biography?