“Who wouldn’t want to read dirty books with Philip Roth?” At The New York Times,
If you like the music of groups like Portishead, CocoRosie, and the Cocteau Twins, you might be interested in the eerie musical dreamscapes of Emily Wells, a gifted violinist and vocalist whose work combines classical, folk, and hip hop. Here she performs "Symphony 1 In the Barrel of a Gun."
This week in the New Yorker Jane Hu analyzes the "dispassionate first-person narrators" prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. "Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian."
To get a full sense of the legacy of William Blake, you need to see his paintings alongside his famous poems. The Wordsworth contemporary did much of his best work -- including the covers of his own collections -- with a brush. At the New York Review of Books blog, Jenny Uglow pays a visit to a new exhibition at Oxford.