“It is difficult for them to understand why a successful black woman would choose to return to the South and, worse yet, to Mississippi, which looms large in the public’s imagination for its racist depredations, and rightfully so.” For Time magazine’s American South issue Jesmyn Ward writes about her decision to return home to Mississippi.
We’ve mentioned the “What books have stayed with you?” social media trend before, and now Facebook has tallied up the most popular titles by country. The results are both exactly what you would expect – The Little Prince ranks high in France, One Hundred Years of Solitude fairs well in Latin America – and a little surprising as the Harry Potter series tops the list in countries ranging from India to Italy to Brazil.
South Florida readers! Assuming you’re done voting by now, you should make next week’s Miami Book Fair International a priority. Afterward, you can go celebrate thirty years of Books & Books, the jewel of Coral Gables. (And perhaps to warm up for it all, you can read my review of Tom Wolfe’s Back to Blood.)
“Recently, a friend told me she didn’t like pictures of herself because she never looked the way she thought she did in her head. I think this pretty much describes the universal horror that is looking at your own photos, and that’s why I love the selfie so much. It gives you all the controls to the story you are telling.” In defense of the selfie.
After waking us up to their favorite Brazilian novelists, the editorial board at Granta is turning its gaze to Norway. In the first issue of Norwegian Granta, you’ll find a slew of stories by illustrious contributors (among them Jennifer Egan, Roberto Bolano and Alice Munro) alongside new stories from authors native to the country. At Granta’s website, you can read an interview with the magazine’s online editor, Ted Hodgkinson.
“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”