Even though the advice to “kill your darlings” implies editing your writing is a painful process, some writers relish it. At The New York Times, Pamela Erens discusses the pleasures of trimming down her writing. “For every word I cut, I seem to have more space between my ribs, more lung capacity.” For more Erens, read her essay on accepting her book cover.
Koa Beck’s father gave her a copy of Erica Jong’s Fear of Flying when she was 15 years old. Depending on your persuasion, this was either a brilliant idea or an awful parental blunder. Regardless, Beck says the book (aided by The Bell Jar and Diary of a Mad Housewife) helped her understand that “the game was rigged, that everyone was lying, [and] that there was so much more to being a woman than what society said there was.”
Callie Collins sits down with Emily Bell, the editor of Farrar, Straus, and Giroux Originals, in the latest issue of Midnight Breakfast. Bell also published Lucia Berlin’s recent story collection A Manual for Cleaning Women. Bell states: “The voices I publish, they’re not trying to please their readers.”
More than ever, we need literature that gives Westerners a compelling entrée into—a way of better understanding—the lives of war-and-terrorism fraught regions. Over at Bloom, T.L. Khleif, recent recipient of a Rona Jaffe award, writes about Jamil Ahmad’s The Wandering Falcon, a collection that immerses readers in the tribal areas of Pakistan prior to the rise of the Taliban. Among other notable honors, Ahmad joins the pantheon of late-blooming male authors who would not have ever published were it not for the stubborn encouragement of their wives.