“Seidel scared himself with poetry, and us too. How had he done it?” John Jeremiah Sullivan presented the Hadada Award to Frederick Seidel at The Paris Review’s Spring Revel last month. You can read the full text of his speech and three of Seidel’s poems. This seems to be a much better week for Sullivan because he also just won the James Beard Foundation’s MFK Fisher Distinguished Writing Award for his essay “I Placed a Jar in Tennessee.”
Oh, those poor little Twilight-addled tweens--as if they weren't already goggly-eyed with quasi-chaste adoration of Edward Cullen, hero of Stephenie Meyer's Twilight books. How they will melt when they see this utterly shameless New Moon poster that portrays a melancholic Edward Cullen (Robert Pattinson) in a state of tasteful-ish dishabille.
"Whatever the facts of her life – whether she turned out to be an ancient man living in the Icelandic interior or a woman waiting tables at a Texan diner – Ferrante writes in an autobiographical mode. That is fuel for the truthers, a sort of literary ankle-flashing. But it is also good cover for another motive: a very contemporary form of envy of another’s autonomous space and their creativity, a rage that while they give us their work, they will not also give us their person." On a new collection of Elena Ferrante's letters, interviews and short pieces.
A literary event with an extremely star-studded guest list will be held next month for a good cause. The World's Most Literary Rent Party Ever will raise money for author Charles Bock's wife, who is receiving treatment for leukemia, and will include Jonathan Franzen, Jonathan Safran Foer, Mary Gaitskill, Joshua Ferris, Rivka Galchen, Amy Hempel, Nicole Krauss, Rick Moody, Richard Price, George Saunders, and quite a few others.
Ben Lerner has a story [subscription required] in this week's New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in "activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting."