Jill Abramson, fired last week from her post as New York Times executive editor, broke her silence today with her commencement address at Wake Forest. “I’m talking to anyone who has been dumped,” she said. “Not gotten the job you really wanted or received those horrible rejection letters from grad school. You know, the sting of losing, or not getting something you badly want. When that happens, show what you are made of.” Video here.
We fully expect all Christmas-observant Millions readers to have gifted (and received) at least one book this week. The Toast expects the same of their readers, and have provided a very handy key to choosing and/or deciphering passive-agressive literary presents.
You don’t need to visit Houghton Library in Cambridge, MA to check out Emily Dickinson’s family artifacts. You can catch a glimpse from the comfort of your own home.
Sophia Nguyen writes for Harvard Magazine about the Dark Room Collective, a group of black writers of “starry critical mass whose impact on American letters continues to expand.” Pair with her Millions review of Collective member Tracy K. Smith’s new memoir, Ordinary Light.
“In the twenty-first century, the lyric essay at its worst is a utility or an app; at its best, it’s a cross-hatch of a genre in which things cross over; implicitly chiasmic, it’s a space in which incompatible discourses are allowed to intermingle; wherein poetry and prose create productive frictions, enabling a new, unnatural form, illegible and readable for the first time.” Mary Cappello writes about the lyric essay and Djuna Barnes.
“And that might be the best way to understand Erdrich’s artistic project: as a celebration of beauty and a testament to the redemptive power of art — which, of course, includes storytelling.” Rumaan Alam interviews Louise Erdrich about her illustrious writing career for Buzzfeed Reader. Erdrich’s newest novel Future Home of the Living God was featured in our November Preview.