“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.
It’s Hard to be a Protagonist
Profanity in Book Titles
Out this week is Marcy Roznick’s If You Give a Kid a Cookie, Will He Shut the —- Up?, a parody aimed at adults of the 1985 children’s book If You Give a Mouse a Cookie… What’s up with all the profanity in book titles lately?
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Like a Nun in a Motorcar
“Raymond Chandler did not invent the private eye — Dashiell Hammett and a few others got there first. But his vision is the one that caught the public eye and stuck most indelibly in the imagination, like — in one of his aromatic metaphors — ‘a tarantula on a slice of angel food.’” On a new biography of the man behind Phillip Marlowe.
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A Narrative Made Up of Many Narratives
Elizabeth Karp-Evans interviews How to Read a Novelist author John Freeman about editing, American narratives, and his goals for Freeman’s.
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Les Deux Femmes Sur le Front
For a female war photographer and novelist who’s dealt with pink covers on her books, male colleagues who dismiss the Orange Prize and a publisher who titles her book Shutterbabe, it’s pretty rich to hear that our world is apparently “post-feminist.”
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“Go Read Alice”
The diary novel may be “an under-attended” genre, but Johannah King-Slutzky is trying to remedy that. In an essay for The Hairpin she traces the diary novel’s history from the Victorian era to Go Ask Alice while examining the genre’s balance of “melodrama and awkward moralizing” with the potential for subversion.
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Karen Russell and the Hungry Ghosts
Karen Russell recounts finishing her book in the midst of pregnancy, and the financial and time calculations that must be done to get to that last page.
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