“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.
Brooklyn Poets wants to build The Bridge, a social networking site aimed at connecting student poets with mentor poets. The idea is that students could find mentors for less money than a workshop or writing program might cost, and that mentors would be able to get paid without having to locate a hard-to-find teaching job. You can get a fuller idea of the plan on the organization’s IndieGoGo page.
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.
The latest short by James W. Griffiths, We Were Wanderers On a Prehistoric Earth, is an “ode to the incredible flora and fauna of Malaysia.” The film is accompanied by a passage from Joseph Conrad’s Heart of Darkness, and it’s clear that the author’s description of the Congo applies to Southeast Asia quite easily.