If the description “a comic thriller about mermaids, the natural world and ruthless capitalism” isn’t enough to pique your interest, you might be inspired to pick up Lydia Millet’s latest by the title of Laura Miller’s review, which describes Millet as “the P.G. Wodehouse of environmental writing.” At Salon, the book critic goes into the many reasons she enjoys Millet’s work, among them the author’s knack for deploying humor at appropriate times. FYI, Millet wrote an article for The Millions recently.
“Your shipment of personal copies will never arrive. Your publisher will not be able to track their fate, nor replace them. A week will pass and you will wander into the animal shelter at a nearby strip mall and find a dog cage lined with the urine-soaked pages of your book. Your eyes will meet the eyes of the miniature schnauzer that resides in your shredded work. You’ll think: this is fate. But the adoption center won’t approve your application because you can’t claim any substantial income.” Electric Literature has compiled the “The Ten Ways Your Life Will Change After You Publish Your First Book,” so you can’t say you weren’t warned.
Millions contributor Magdalena Edwards just published a piece on Norman Rush in The LA Review of Books. It includes the first published excerpt from his forthcoming novel Subtle Bodies, which will be released in 2013. Additionally, Rush will read in a rare appearance at the Hammer Museum in Westwood tomorrow.