Among the breadcrumbs doled out in this GQ slideshow/interview with Paris Review editor Lorin Stein is this: John Jeremiah Sullivan helped him write his job application.
If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.
Cutting out large chunks of a book is pretty common, but cutting out 200 pages is a little unusual. While working on his latest novel, Joshua Ferris decided to abandon the elements drawn from crime fiction, which meant he had to toss out a huge portion of his draft. “Now that was a fun day,” he says.
Canadian post-rock outfit Godspeed You! Black Emperor will soon release their fourth studio album, ‘Allelujah! Don’t Bend! Ascend!, and it’s definitely worth checking out. You can stream the record over here. The band was also recently interviewed for The Guardian, too, and this entire post should keep you occupied for a while.
For the tenth anniversary of Nickel and Dimed: On (Not) Getting By in America, Barbara Ehrenreich has penned a new foreword and introduction which you can read here.
Every so often, a piece comes along that rends the fragile mind, employing a devil’s portion of mundane details to lay bare the inescapable futility of all human endeavor. This is the only rational way to describe this piece at The Awl, which takes the form of a conversation between Karl Ove Knausgaard and True Detective’s Nic Pizzolatto.
There’s a tiff going on between Ursula le Guin and Kazuo Ishiguro. After le Guin accused Ishiguro of “despising” the fantasy genre, following an interview with the Times in which he wondered aloud if his readers would be prejudiced against his latest book, Ishiguro defended himself, claiming that he is “firmly on the side of the ogres and the pixies.” You can read a full rundown in The Guardian.