Goodreads has launched a new Ask the Author feature, allowing readers to ask the likes of Margaret Atwood, Khaled Hosseini, and Jesmyn Ward questions “about the new worlds, ideas, and people they’ve discovered in books.”
“I really do hate the idea that black joy itself is a joy derived in spite of. While it may indeed include that, limiting it to such assumes that joy among black people only exists as a defiant response to oppression from white people. I’d rather believe that black folk are capable of this deep supernatural sense without having to be enslaved or disenfranchised.” For the Boston Review, Jericho Brown on poetry and joy.
Recommended Reading: Louise Erdrich’s new short story in The New Yorker, “The Big Cat,” which is about snoring among other things. “The women in my wife’s family all snored, and when we visited for the holidays every winter I got no sleep.” Deborah Treisman also interviewed Erdrich about the story. “I like the idea that this story reads like a fairy tale, but there is no moral at all, unless it’s Beware of Snoring Cats. Nothing I write ever has a moral.”
We’ve all had that annoying moment of finding the perfect word to win Scrabble with, except that word doesn’t count. Now, Scrabble is letting players nominate a new word to enter its dictionary. You can submit on Facebook. Just do us a favor, and nominate something better than “hashtag” or “selfie.”
Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”
Many aspiring writers wind up in publishing jobs or teaching posts. Some view the career choice as a happy union between their creative interests and their vocational qualifications. T. S. Eliot was not so. In an article for The Rumpus, Lisa Levy notes that the poet continued “to work at the bank even after his poems [became] successful,” and that the poet found the work “more conducive to writing poetry and criticism than taking a more literary job might be.”