Recommended Reading: “Patterns” by Kristiina Ehin, which has a better opening line than anything else you’re going to read this month, I promise.
Glad to hear they’re doing well.
Booker Prize Chair on the Shortlist
“With the [Booker] longlist it was ‘What, no Amis or McEwan or Rushdie?’; with the shortlist it's ‘What, no Mitchell or Tsiolkas or Tremain?’” Andrew Motion, chair of the judges, shares his thoughts on the whole business of judging the Booker prize, at Guardian.
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Private Collection
Over at Hyperallergic, Claire Voon tours the New York Public Library’s collection of historical erotica, ranging from graphic illustrations hidden in photo albums to mid-century gay erotica. Pair with this Millions essay on private libraries and what books reveal about their readers.
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The Translator’s Tale
We don't often stop to think about the art of literary translation, but translator Margaret Jull Costa examines the field in her Times Literary Supplement essay on The Cahiers Series. "What these fascinating Cahiers offer is an insight into what literary translators actually do, as well as fuel for the endless debate about what we mean when we talk about 'faithful' translation."
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Slightly Off
Expats of all stripes have trouble defining the word “home,” which is true even when the expat is someone like James Wood, who left England for America in the ‘90s and set up a life for himself in Massachusetts. In the LRB, he describes the odd pain of emigration, lamenting that his "English reality" has faded into memory. (You could also read Charles Finch on trying to live up to Wood’s standards.)
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True That
Recommended Reading: David Yezzi on the concept of truth in poetry.
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Walking Into the Book
Recommended Reading: The New York Times’s feature on Dana Spiotta. “When Dana Spiotta was working on her fourth novel, Innocents and Others, she sat beneath a huge bulletin board pinned with her sticky notes and research materials: lists of relevant words (passion, transformation, intimacy) and ‘seeing’ devices (zoetrope, stereoscope, camera obscura), and photographs of Orson Welles, Jean-Luc Godard and the Maysles brothers. ‘It’s like walking into the book,’ Spiotta told me. ‘You feel it all around you.’” To prepare for her upcoming release, revisit our review of Stone Arabia.
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