“Crossover words are a tremendous testament to our awesome ability to shape the language as we use it. To master our fears. To take our terror and use it to build something terrific.” – Arika Okrent writes for The Week about irony, slang and the way language changes.
From Terror to Terrific
Thoughts on a Prodigy
"The American poem was not in a grave at that time; not by any measure. There was achievement, experiment, excitement. But there was also confinement. It could be felt in the air, in an ethos of conditional acceptance. A young woman poet was not yet a familiar sight. When Auden remarked about [Adrienne] Rich’s poems, after choosing her as a Yale Younger Poet, that they were 'neatly and modestly dressed,' it sounded more like a counsel for the nursery than acclaim for a new writer.” At The New Republic, Eavan Boland reflects on the legacy of the poet, whose posthumous collection, Later Poems, came out last week.
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The Other Fitzgerald’s Fiction
Recommended Reading: Zelda Fitzgerald's short story "The Iceberg," which she won a prize for as a teenager. Pair with: Our review of Z: A Novel of Zelda Fitzgerald.
Cheese or Font?
Serious foodie or just extremely well read? Play this game to see if the name you are given is a cheese or a font.
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Woody Allen’s Favorite Books
The ever-irreverent Woody Allen weighs in on his all-time faves, among other things. A Catcher in the Rye unsurprisingly makes the list, as do more obscure picks like The World of SJ Perelman.
The Elmore Enigma
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the "Elmore Leonard paradox" in The Atlantic. "Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir." Pair with: Our own Bill Morris's essay on why Leonard was such a good writer.
STEM for Dogs
Even dogs are learning STEM now. Check out this rigorous program from Rollover Academy at McSweeney’s.
First Lines of the New Gary Shteyngart
Here are the first lines of the new Gary Shteyngart novel, Super Sad True Love Story, forthcoming in July: "Today I've made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off."
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