F. Scott Fitzgerald was too provocative even for the 1920s. His short story collection Taps at Reveille was never published the way he wanted it to be. When the stories came out in The Sunday Evening Post in the 1920s and ’30s, all slang, slurs, and sexual innuendo were edited out. Now, almost a century later, we can read Fitzgerald’s original work in a new Cambridge edition.
“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
The Recuyell of the Histories of Troye, the first book published in English, recently sold at auction for almost 2 million dollars.
“Directly you are in motion you will feel quite helpless, and experience a sensation of being run away with, and it will seem as if the machine were trying to throw you off.” The bicycle was little more than a confusing craze back in 1877. The London Library has just uncovered some fascinating and hilarious vintage educational pamphlets on everything from ‘The Gentlewoman’s Book of Sports’ to ‘Cycling As a Cause of Heart Disease.’
HTMLGiant’s A. D. Jameson went and saw part one of The Hobbit in theatres so now none of us have to do the same. Instead, sit back and check out his “250 Points” about the film. Or, if you’d prefer a blast of Tolkien analysis from the past, check out W. H. Auden’s 1956 book review of The Return of the King.
In lieu of an official trailer, the producers of the film adaptation of Yann Martel’s The Life of Pi have decided to release entire (but short) scenes of the movie one at a time. Here’s the first installment. After watching it, you may want to check out some other tiger literature, and luckily Nina Martyris can help you out with that.
“Somehow, in my eagerness to honor these words, I’d tamed the political intentions behind their meaning. I’d reduced my icon’s truths into affirmational pick-me-ups rather than letting them sink deeper.” Dianca Potts reflects on how to best to appreciate the fullness of Maya Angelou, Audre Lorde and Toni Morrison. We need to resist erasing their complexities in our haste to embrace them as icons or reduce them to inspirational quotes.