Recommended Reading: “Bitter Night in the Country” by Hayden Saunier.
“Look, if you meet someone with one leg, are you going to sit and revile them for not having the other leg? No, you’re going to be happy that they have the one and praise them for it. And get them thinking about how can we substitute for the one that’s lacking. Which are you going to do?” Robert Thurman quoting the Dalai Lama on embracing the positive in an interview in Guernica, where Thurman speaks about nonviolent resistance, the potential for a demilitarized world, and his friendship with the Dalai Lama.
Essay Liu‘s essay “Seven Days After Father” has been translated by Kevin T. S. Tang for Blunderbuss Magazine and presents a daughter’s sincere grief confused by custom. “‘The funeral director forbids tears as we approach your coffin, but demands that we weep on our return. This is the movie script we’ve been handed, one we’ll be beholden to for days, and I know that many things are not mine to decide anymore. Even our tears have been planned for us.”
“Why write in an unlovable genre with an inevitably hectoring tone? Dystopia, situated in a dangerous no-man’s-land between the pulpit of the preacher and the safe sniper post of the satirist.” Future futurists, take note: the New York Review of Books reviews Chang-Rae Lee’s addition to your dystopic shelf, On Such a Full Sea, and ponders the virtues of the dystopic endeavor itself. (Bonus: Lee writes about his own 2013 Year in Reading here at The Millions.)
In 2003, Mary Roach kicked off her book-publishing career with Stiff, a look into the lifespans (pun intended) of cadavers and the ethics of using them for study. At Lapham’s Quarterly, you’ll find the 2001 magazine article that Roach later expanded into Stiff. (Related: we interviewed Roach back in April.)