Why do great books we read as children have a more profound effect on us than great books we read as adults? It’s hard to say, but YA novelist Anne Cardi comes up with a number of reasons, among them the ability of children’s books to permanently change our viewpoints. (FYI, we asked a bunch of teenagers to recommend last year’s best YA novels.)
“Ms. Gitelman’s argument may seem like an odd lens on familiar history. But it’s representative of an emerging body of work that might be called 'paperwork studies.' True, there are not yet any dedicated journals or conferences. But in history, anthropology, literature and media studies departments and beyond, a group of loosely connected scholars are taking a fresh look at office memos, government documents and corporate records, not just for what they say but also for how they circulate and the sometimes unpredictable things they do.”
"To be awake was a thing many had dreamed of, while continuing to sleep for years, like the famous princess in her coffin of glass. Once I opened a Chinese fortune cookie that said, Some will attain their heart’s desire, alas." Revisiting this fantastic Anne Carson poem, "The Day Antonioni Came to the Asylum (Rhapsody)," over at The Paris Review. Carson's newest, Float, is due out in a couple of months.
In the latest issue of The New York Review of Books, Jean Strouse brings us inside John Singer Sargent’s inner circle. The exhibition, “Sargent: Portraits of Artists and Friends,” is on view at the New York Metropolitan Museum of Art until October 4th. You could also read Edra Ziesk’s piece on what makes a friend.