Last week, I wrote about Will Self’s claim that the novel is dead, which inspired a historical analysis from Daniel D’Addario at Salon. Now, at The Globe and Mail, Russell Smith wonders: is the novel-is-dead article dead?
Year in Reading alumna Parul Sehgal’s column for The New York Times debuted last week with her reflections on the great Czech writer Bohumil Hrabal. As she puts it, "He is a spider of a writer: subtle and sly, patient, with invisible designs. He never proclaims — he never needs to. He envelops." Pair with John Yargo’s Millions essay on Hrabal’s fiction.
Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. "As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood," writes the Los Angeles Times. Pair with Jason Arthur's essay on novels about work.
"I always think, 'What if I can’t?' Then I always think, 'Oh shit, don’t think that.' Because thinking about it can make it happen. Not like it’s happened that often. But I get scared about it. We all do. Anybody that tells you they don’t they’re full of it. They’re always scared it might happen." There's a lot of really bad writing about sex. This is a piece about some of the good stuff.
The best longread you're likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America's decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
The debut issue of Candor magazine is like a Sassy for the intellectual set, rife with wit (Emily Gould and Merisa Meltzer discuss Away We Go), intelligence (writer mother Rachel Zucker and woman writer Sarah Manguso speak candidly about identity, motherhood, women’s prejudices and writing), and women’s rights (Atossa Abrahamian considers the rhetoric of the rape victim).