Christopher Lee, perhaps best known to American audiences as the man who played Count Dooku (Star Wars) and Saruman (Lord of the Rings), is also an accomplished singer and musician. Evidently, he’s also quite literary, as his most recent project — The Metal Knight — demonstrates. To wit: the album was inspired by Don Quixote. (Trailer here.)
“‘It is the novelist’s innate cowardice that makes him depute to imaginary personalities the sins that he is too cautious to commit for himself.’ The autobiography of the imagination then is an autobiography of our base desires, the things we haven’t done but have longed for. It is our fantasies, our secrets from which we curate by redaction how someone else sees us. It is an autobiography of instinct, desire.” Emilia Phillips on poetry as the autobiography of the imagination, over at Ploughshares.
Following last year’s Pulitzer Prize, which Donna Tartt won for her first novel in eleven years, it means something when a critic draws a favorable comparison between The Goldfinch and a new book. For Laura Miller, though, it’s a natural reaction to the latest from Sarah Waters, which seems poised to “scratch the same big-novel itch” as Tartt’s novel did last year. (FYI, Sarah Waters wrote a Year in Reading entry for The Millions.)