One of the surprises of last week’s James Beard Awards was the runaway success of McSweeney’s offshoot Lucky Peach, which ended up taking home five out of seventeen awards. On John Birdsall’s Tumblr, you can read one of the winning essays, which bears the attention-grabbing title of “America, Your Food Is So Gay.” (Related: Jessica Ferri on food writing.)
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
The fine folks at Norton have made all of Patricia Highsmith’s books available in eBook format, and to celebrate the move, they’ve crafted a website dedicated to the author’s work. Choose Your Highsmith features a recommendation engine while will instantly pick a Highsmith book to match your selected criteria. There’s also a great video in which Alison Bechdel, Robert Weil (Highsmith’s editor at Norton), Joan Schenkar (Highsmith’s biographer), and Terry Castle share their love for the author of the Mr. Ripley series.
New this week is The Tiger’s Wife, the hotly anticipated debut of Téa Obreht, the youngest of the New Yorker’s 20 Under 40 from last year. Also new in the fiction aisle is Carol Edgarian’s Three Stages of Amazement. David Brooks’s latest pop sociology effort The Social Animal is now out — this one, excerpted in the New Yorker — sets itself apart from similar tomes by illustrating its findings through a pair of fictional characters. Now out in paperback are National Book Award winner Lord of Misrule by Jaimy Gordon, Ian McEwan’s Solar, and Rebecca Skloot’s non-fiction blockbuster The Immortal Life of Henrietta Lacks.