One of the surprises of last week’s James Beard Awards was the runaway success of McSweeney’s offshoot Lucky Peach, which ended up taking home five out of seventeen awards. On John Birdsall’s Tumblr, you can read one of the winning essays, which bears the attention-grabbing title of “America, Your Food Is So Gay.” (Related: Jessica Ferri on food writing.)
Born Lucky
Tom McCarthy Gets Interviewed
"There is a vicious rumor circulating that Tom McCarthy is the writer of our generation," writes Christopher Bollen in Interview as he, ahem, interviews the author and Millions Year in Reading alum.
Save Me the Waltz
"It is the persistent, damning mischaracterisation of Zelda as 'insane' that most needs undoing. The trouble lies in the diagnosis she was given in 1930: 'schizophrenia'. While today we know it to mean severe mental illness requiring delicate and often lifelong treatment with medications, therapies, and sometimes institutionalisation, in Zelda’s time it was a catch-all label for a range of emotional difficulties." Reexamining the life and reputation of Zelda Fitzgerald.
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Greg Mortenson Settles with CAI
Greg Mortenson, whose legal and ethical battles we've mentioned before, has agreed to repay $1,000,000 of the funds he allegedly embezzled from the Central Asia Institute.
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Coffee House + Emily Books
Coffee House Press recently announced it will be partnering with Emily Books, whose co-founder Emily Gould is a Year in Reading alum, to form their first imprint, which will publish two original titles a year. Their news pairs well with Electric Literature's "2015 Indie Press Preview."
Appearing Elsewhere
Congratulations to Millions contributor Edan Lepucki who received the 2009 James D. Phelan Award for her novel manuscript, Days of Insignificance and Evil. The award is given by the Intersection for the Arts and sponsored by the San Francisco Foundation. She'll be reading, along with Page McBee and Youmna Chlala, at the Intersection for the Arts in San Francisco on Monday, November 16th at 7:30.
Losing It
“These writers project a mythos of healing. Their work says to the world, ‘Yes, we go on in spite of the troubles and we heal. Our stories are stories of braveness and healing. We got this.’ But I don’t got this! I’m trying to affect a calm tone. I’m losing my shit.” Luke B. Goebel reflects on anxiety, medication, and creativity at Catapult. Gila Lyons, similarly, writes on how medication affected her creative life.
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