Symmetry’s addictive. Beethoven sought it in the order of chords, Einstein in the logic of theory. Countless writers, too, have sought its imprint in the perfect mot juste. In Aeon Magazine, Philip Ball pleads fervently against the pursuit of beauty in logic, and logic in beauty. “There’s a reason why our galleries are not, on the whole, filled with paintings of perfect spheres… the search for an ideal, perfect Platonic form of the table amid spirals, hypercubes and pyramids has an air of desperation.”
“It’s really strange to have the success of a poem be so directly tied to people processing grief. It’s a strange thing, because it’s a blessing and a curse.” The Rumpus interviews poet Maggie Smith about her new collection, Good Bones, her viral poem that shares its name, and her craft. From our archives: Smith’s collection was featured in our round-up of October’s Must-Read Poetry.
At a loss for what to read? Goldman Sachs has released their reading list. “We’re talking about people who incurred $550 million in fines for schemes to turn a profit on the civilization-threatening financial crisis they themselves had helped create, and the line between genius and chutzpah is notoriously hard to draw, so, yeah, I’d like to know what’s on these folks’ bedside tables.” Our own Hannah Gersen wrote about Occupy Wall Street and Bartleby, the Scrivener.